01
INTENTION
The Riviera Shirt began with a scene rather than a sketch.
A man alone in a quiet room. A radio playing in the background. Coffee on the table. An old telephone ringing. A package arriving without explanation.
These details were not created simply to dress a set. They helped define the kind of garment that could belong there.
The shirt needed to feel familiar, but difficult to place. Not a costume. Not a reproduction. A piece shaped by a slower relationship with clothing — chosen carefully, worn often and kept long enough to become personal.
The intention was not to recreate the past.
It was to recover a feeling that modern clothing often leaves behind.
01INTENTION
The Riviera Shirt began with a scene rather than a sketch.
A man alone in a quiet room. A radio playing in the background. Coffee on the table. An old telephone ringing. A package arriving without explanation.
These details were not created simply to dress a set. They helped define the kind of garment that could belong there.
The shirt needed to feel familiar, but difficult to place. Not a costume. Not a reproduction. A piece shaped by a slower relationship with clothing — chosen carefully, worn often and kept long enough to become personal.
The intention was not to recreate the past.
It was to recover a feeling that modern clothing often leaves behind.
